Sound

In order to keep true to the atmosphere of the previous films, it was imperative that there was a "musical continuity" with Ray's original fairy tale films. Ray had used stock production library music from the late 1940's / early 50's era. "We're both great fans of older music and have extensive vinyl, 78RPM, and CD collections," states Walsh, "so we were excited about the research. We knew the same style of music had to be found to make the film authentic." Caballero explains, "The original post-production house that Ray used was closed down so we had to start the research from scratch. We used the internet to piece together the snippets of information we had. Title would sometimes lead to composer name, which could then lead to names of long-defunct music libraries…it was very interesting research."

Gary Owens provided the narration for the film. Owens is probably the most recognized voice in America, and has contributed his talents to such shows as Laugh-In, Sesame Street and That 70's show. Gary was the first person to be inducted into both the Television and Radio Halls of Fame. He was everyone's first choice for the narration. All involved agreed that a warm and timeless voice was needed to tie together the audio and visuals with energy. Owens also narrated the first documentary on Harryhausen: Aliens, Dragons, Monsters and Me directed by Richard Jones.

Mark, Ray and Seamus discuss the storyboards
Post-Production

The post production on The Tortoise and the Hare was difficult. Since one-third of the film was originally shot in 1952, Ray, Seamus and Mark knew there was to be some variance between the old and new footage. Walsh and Caballero researched their options in order to smooth the transition between the two different stocks of film. The best solution was to digitally scan the footage and do the fixes, but the process is both time-consuming and very expensive. Mark and Seamus set out to find a digital house that would be willing to donate their services to the cause. It was a tall order to ask of any facility. Luckily, Chip Potter and IO FILM in North Hollywood, CA stepped up to the plate and offered to do the entire process. "We love Ray! If it weren't for him, half of us wouldn't be working in this business. He's like the Neil Armstrong of stop-motion animation" Potter enthuses. IO Film is a full service digital film-finishing facility. They recently branched out into the animation realm on the Powerpuff Girls Movie, and hope to continue in that direction.

The 16mm negative was cut by Chris and Gary Weber. Incidentally, Chris is the niece of Walter Soul, the music editor of Ray's original fairy tale films.

Seamus animating the sneaky hare











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Website: www.screen-novelties.com




Mark animates the last frame of the film